i love how no one takes to my meaning.
i wrote a note on facebook complaining about how upset i was about my grades this semester. for some reason everyone thought it meant one thing and said, "cheer up, imani, your grades aren't that bad, it doesn't matter." well i KNOW that. the issue is the fact that every class that could have been an A wasn't because i let myself get caught up in a job that has no bearing on my life and has made my overall life increasingly difficult. that makes me angry and rightfully so. whatever...
so my carpal tunnel is back in my left hand (i really shouldn't be typing then, should i?), just one more thing in my list of grievances. but as someone i know would say, life is good. two more days of the tech week from hell and then i'm on vacation. it's a very happy thing, sunny prospects lie ahead, literally.
Friday, May 16, 2008
Sunday, April 13, 2008
as whole enamored worlds will say
"i had to coach my friends on how to accept compliments."
i just love that. here's why. last night was absolutely revelatory. i played the best (orchestral) solo probably of my bassoon career to date, was part of a (yes, flawed) incredibly emotional (for me at least) performance of mahler 1 and then received the accolades and congrats from my peers. if anything, it humbled me, greatly. i feel very blessed that people have said such wonderful things to me and have been so wonderful to me. in my mind, i'm just a girl, playing the bassoon, trying to do what i love to the best of my ability.
i really got to know some fantastic people last night, i mean, people that i knew but hadn't really spent any time with. and that was what really made me feel good, cause they're just all really down to earth and fun and you need those kinds of people around you, in my opinion.
i'm just really kind of shocked at the place in which i'm ending the first year of my master's. i've played a lot of music, found a niche and really established myself, met a lot of great people and musicians, earned a lot of people's respect for my ability as a bassoonist and as a musicologist, starting a second master's degree in a field i love with an assistantship and finishing the orchestral season with a fantastic solo and a continued mahler legacy.
it's enough to move me to tears.
i just love that. here's why. last night was absolutely revelatory. i played the best (orchestral) solo probably of my bassoon career to date, was part of a (yes, flawed) incredibly emotional (for me at least) performance of mahler 1 and then received the accolades and congrats from my peers. if anything, it humbled me, greatly. i feel very blessed that people have said such wonderful things to me and have been so wonderful to me. in my mind, i'm just a girl, playing the bassoon, trying to do what i love to the best of my ability.
i really got to know some fantastic people last night, i mean, people that i knew but hadn't really spent any time with. and that was what really made me feel good, cause they're just all really down to earth and fun and you need those kinds of people around you, in my opinion.
i'm just really kind of shocked at the place in which i'm ending the first year of my master's. i've played a lot of music, found a niche and really established myself, met a lot of great people and musicians, earned a lot of people's respect for my ability as a bassoonist and as a musicologist, starting a second master's degree in a field i love with an assistantship and finishing the orchestral season with a fantastic solo and a continued mahler legacy.
it's enough to move me to tears.
Friday, April 11, 2008
you are the forest.
i had been worried for the last couple of weeks that my love for mahler one would be tainted by the disastrous rehearsals taking place. not so. today we ran the whole thing and in the last movement, i felt like my soul was trying to escape from my body. it was exhilarating and there was sweat and hearts were racing. when we finished, i leaned all the way back in my chair, panting. i told a friend of mine that the last time i saw mahler 1 performed live (three years ago, new york phil, maazel) there were tears in my eyes. i was bawling like a child. it wasn't until today that i realized that it's had a much bigger impact on me than i realized.
on another note, being an academic is hard. i'm not even speaking mainly about me. what do colleges want out of their faculty? how much rejection can one person take? how much schooling can one person handle? i would like to think that i'm on a track that works for me but that is yet to be seen. one can only hope.
it has finally turned to spring here in baltimore. my spirits have risen. i'm in love and i've opened my skylights. all is right in the world. now if only i were finished with school.
on another note, being an academic is hard. i'm not even speaking mainly about me. what do colleges want out of their faculty? how much rejection can one person take? how much schooling can one person handle? i would like to think that i'm on a track that works for me but that is yet to be seen. one can only hope.
it has finally turned to spring here in baltimore. my spirits have risen. i'm in love and i've opened my skylights. all is right in the world. now if only i were finished with school.
Saturday, March 29, 2008
when she performs, in such a way
the great thing about music as opposed to dance (and opera, theater, etc) is no crazy theatrics that cost tons of money. stage+stands=success.
the great thing about dance as opposed to music? beautiful, shirtless men. if male musicians were required to play without THEIR shirts, i'd leave the profession immediately. that being said, i'm in the right line of work. the pay is okay and the rules are pretty flex. plus, i have plenty of opportunities to watch shirtless men dance (and dance with them, i might add). our showcase tonight went very well save a few glitches which is to be expected. but i finally got to see our dancers and i will say that they are meant to do what they are doing. and you know how, and this is in any art, there are always the ones from whom you can't look away? i saw that tonight. one girl has the most beautiful face i've ever seen, beyond her years, not in age, but in flirtation. with a very subtle glance she seems to hint at the most seductive and beautiful things. and then in the next moment she is smiling, radiantly. another girl was just magnetic, agile and strong. she slinked across the stage, the power and strength just rippling in her lean muscles. and my other particular favorite just had the look of wisdom and girl-next-door beauty. she's a funny girl outside of the stage and her effervescence just shines through. that does not mean that all the dancers weren't fantastic. but you always know. i've known some young musicians like that who just awe me every time i watch them perform. they are filled with something magical. that magic gives me hope.
(wow, that was corny)
but now i can somewhat regain control of my life which is comforting. it's been pretty rough but i think i'm finally reaching calm air. i don't have any time for anything else, anyway.
the great thing about dance as opposed to music? beautiful, shirtless men. if male musicians were required to play without THEIR shirts, i'd leave the profession immediately. that being said, i'm in the right line of work. the pay is okay and the rules are pretty flex. plus, i have plenty of opportunities to watch shirtless men dance (and dance with them, i might add). our showcase tonight went very well save a few glitches which is to be expected. but i finally got to see our dancers and i will say that they are meant to do what they are doing. and you know how, and this is in any art, there are always the ones from whom you can't look away? i saw that tonight. one girl has the most beautiful face i've ever seen, beyond her years, not in age, but in flirtation. with a very subtle glance she seems to hint at the most seductive and beautiful things. and then in the next moment she is smiling, radiantly. another girl was just magnetic, agile and strong. she slinked across the stage, the power and strength just rippling in her lean muscles. and my other particular favorite just had the look of wisdom and girl-next-door beauty. she's a funny girl outside of the stage and her effervescence just shines through. that does not mean that all the dancers weren't fantastic. but you always know. i've known some young musicians like that who just awe me every time i watch them perform. they are filled with something magical. that magic gives me hope.
(wow, that was corny)
but now i can somewhat regain control of my life which is comforting. it's been pretty rough but i think i'm finally reaching calm air. i don't have any time for anything else, anyway.
Sunday, March 16, 2008
and they were staring at her shoes all night
i can feel him. still. looking over my shoulder, touching my waist, disapproving of me and loving me all in the same breath.
freud, i think, would have a very fun time analyzing my dealings with men --- of all kinds. most women are supposed to have the daddy complex. i do not. (my one father is enough) but for some reason, there have been a whole swath of men in my life who have had this ridiculous sort of influence on me which seems completely unescapable. while talking with my high school orchestra director on the phone, she encouraged me to email my old high school band director, just to tell him how i was doing. i said no, that i was still too angry at him. and then of course i had to evaluate that thought. why would i still be angry about something someone said to me almost seven years ago? influence. from him all the way up to my downtown baltimore dealings two nights prior, i feel stuck in a loop of stupid decisions, exasperated by men by whom i am swayed so easily.
i am spending this week watching myself, making sure i don't make any mistakes. (because the best time to make those kinds of mistakes are on vacation)
but enough about that...i have the internet back and it is glorious. i am on spring break and that is also very glorious. i'm heading home to spend a little bit of time with my family and then off on my musical birthday extravaganza (that being a trip to the met to see peter grimes then to boston to hear bach's st. john passion) and that is enough to make any girl happy, no?
and one more thing. every musician knows the politics of our business on every level. but i can say this with a little bit of certainty...the common sense with which i was blessed allows me to see that the ways of certain people (aka, singers) is beyond ridiculous. ladies and gentlemen, this is not stab-everyone-in-the-back-with-your-eyes university. focus on the big picture, please. i beg you. that is all, good night.
freud, i think, would have a very fun time analyzing my dealings with men --- of all kinds. most women are supposed to have the daddy complex. i do not. (my one father is enough) but for some reason, there have been a whole swath of men in my life who have had this ridiculous sort of influence on me which seems completely unescapable. while talking with my high school orchestra director on the phone, she encouraged me to email my old high school band director, just to tell him how i was doing. i said no, that i was still too angry at him. and then of course i had to evaluate that thought. why would i still be angry about something someone said to me almost seven years ago? influence. from him all the way up to my downtown baltimore dealings two nights prior, i feel stuck in a loop of stupid decisions, exasperated by men by whom i am swayed so easily.
i am spending this week watching myself, making sure i don't make any mistakes. (because the best time to make those kinds of mistakes are on vacation)
but enough about that...i have the internet back and it is glorious. i am on spring break and that is also very glorious. i'm heading home to spend a little bit of time with my family and then off on my musical birthday extravaganza (that being a trip to the met to see peter grimes then to boston to hear bach's st. john passion) and that is enough to make any girl happy, no?
and one more thing. every musician knows the politics of our business on every level. but i can say this with a little bit of certainty...the common sense with which i was blessed allows me to see that the ways of certain people (aka, singers) is beyond ridiculous. ladies and gentlemen, this is not stab-everyone-in-the-back-with-your-eyes university. focus on the big picture, please. i beg you. that is all, good night.
Labels:
classical music,
ian bostridge,
opera,
relationships,
school
Tuesday, February 5, 2008
that's such a lonely thing to do.
self-reflection and introspection always seemed to come easy to me. as if i had to say it to myself, out loud, to fully comprehend what was going on in my own mind. my feelings? your guess is as good as mine. but there's something that comes along with that revelation when you actually speak the words.its as if you give it life, it comes into existence. and in that existence comes some sort of truth about yourself. whether or not you're ready to handle that is another story.
so i keep saying things as if to validate my own existence. that can be troublesome (and burdensome) at times but i do it. i think, therefore...and all that. and what do i learn about myself? that i am a complex organism. understatement, no? but think about it for a minute. that thought helps to give all of our emotions and actions some sort of relevance and sense. it all can't be just because. talking to my housemate about love gives me closure about love (yes, i NEED closure) and giving my best friend advice allows me insight to that same advice.
ah, love. it all comes back to that, doesn't it. sometimes i think i'm "unlucky" but that's not it at all. unfortunately, i've yet to find a better adjective. i seem to be out of time while all of my friends are inside of time, and i watch over and smile but feel separated and incapable. but i am capable and have been loved. for now, i'll continue to float.
i don't just feel that way about love --- i feel that way about my life's work, like i'm existing outside of myself and someone/something else is doing everything, pulling the strings. maybe i have to separate my consciousness from my emotion in order to accomplish anything of worth, i don't really know. but so far, so good.
are you gonna let me go there by myself?
so i keep saying things as if to validate my own existence. that can be troublesome (and burdensome) at times but i do it. i think, therefore...and all that. and what do i learn about myself? that i am a complex organism. understatement, no? but think about it for a minute. that thought helps to give all of our emotions and actions some sort of relevance and sense. it all can't be just because. talking to my housemate about love gives me closure about love (yes, i NEED closure) and giving my best friend advice allows me insight to that same advice.
ah, love. it all comes back to that, doesn't it. sometimes i think i'm "unlucky" but that's not it at all. unfortunately, i've yet to find a better adjective. i seem to be out of time while all of my friends are inside of time, and i watch over and smile but feel separated and incapable. but i am capable and have been loved. for now, i'll continue to float.
i don't just feel that way about love --- i feel that way about my life's work, like i'm existing outside of myself and someone/something else is doing everything, pulling the strings. maybe i have to separate my consciousness from my emotion in order to accomplish anything of worth, i don't really know. but so far, so good.
are you gonna let me go there by myself?
Wednesday, January 23, 2008
the poles between which our desire unceassingly is discharged
we as humans look for ways to seek refuge --- from the world and the things that mentally and emotionally bind us. i find myself taking refuge in the same sort of things; things which always make one feel safe and good. unfortunately, the first things that come to mind are those of the superficial. today, especially. like a comment made by my ex, my fabulous new chanel glasses, my upcoming concerts and not the fact that i'm constantly disappointing myself. i mean it is too easy to be ruled by ego and pride and then very natural to feel ashamed. we are wired for it.
however, i have to remind myself that in the end, i know what's best for me and someone's opinion of me, now matter how accurate, is far less important than my own personal feelings. i just hate the fact that maybe i'm becoming jaded to my world, losing the hope that i could make a difference. that's a bummer, let me tell you.
so i'll go home and get back to my book and think about all of the amazing things that reassure the feeling of goodness and worth in me. it's only fair. i think if i live up to my own expectations then everyone else will be satisfied. and if not, well, then, fuck 'em.
this semester i have a lot of things to say and not enough time in which to say them. such is the curse. plus that and the fact that in my new house (yes, i said NEW house) i don't have the internet yet. but you know i'm becoming far more efficient with that in mind. so i guess that means i should stop typing this entry, go home and wash my clothes, right?
right.
however, i have to remind myself that in the end, i know what's best for me and someone's opinion of me, now matter how accurate, is far less important than my own personal feelings. i just hate the fact that maybe i'm becoming jaded to my world, losing the hope that i could make a difference. that's a bummer, let me tell you.
so i'll go home and get back to my book and think about all of the amazing things that reassure the feeling of goodness and worth in me. it's only fair. i think if i live up to my own expectations then everyone else will be satisfied. and if not, well, then, fuck 'em.
this semester i have a lot of things to say and not enough time in which to say them. such is the curse. plus that and the fact that in my new house (yes, i said NEW house) i don't have the internet yet. but you know i'm becoming far more efficient with that in mind. so i guess that means i should stop typing this entry, go home and wash my clothes, right?
right.
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